London’s Savoy Theatre is currently hosting a dazzling new theatrical sensation—Burlesque: The Musical—which has swiftly captured the imagination of critics and audiences alike. A vibrant reinterpretation of the 2010 film, the production is being hailed for its high-octane energy, electrifying vocal performances, and unapologetic camp flair, making it one of the summer’s most talked-about shows.
While some critics have pointed out a somewhat convoluted second act, the overall response has been overwhelmingly positive. The production’s spectacle, buoyed by standout performances—particularly by Jess Folley, Orfeh, and Todrick Hall—and its bold new musical numbers have audiences buzzing, cementing its status as a runaway hit during London’s theatre season.
The Guardian commends the show as a ‘gloriously over-the-top and campy crowd-pleaser,’ praising it as a vibrant, sass-driven reimagining of the beloved film. The performances of Folley and Orfeh are highlighted for their ‘powerhouse vocals’ that spark electric chemistry on stage. Todrick Hall’s dynamic choreography, complemented by Marco Marco’s flamboyant costumes and a notably British sense of humour, elevate the production—although critics note the plot is somewhat messy. Nonetheless, the spectacle, humour, and raw energy make it a favourite among fans of drag culture and lively, flamboyant theatre.
The Times offers a more nuanced view, describing the show as ‘car crash? Actually it’s rather compelling.’ Despite backstage troubles and a tangled narrative, the critic notes that the show emerges with energy and flair. Key performances by Folley and Orfeh receive acclaim, as does Hall’s dual role as a comic force and choreographer. Even with a shaky second act and a somewhat diluted romantic subplot, the production earns a commendable three stars, thanks largely to its high-energy ensemble and charismatic cast.
Radio Times awards the musical four out of five stars, heralding it as ‘a cult classic in the making.’ The reviewer appreciates the production’s glamour, wit, and vibrant new numbers, such as Don’t Make Me Sing and Make Up, which truly stand out. Jess Folley is described as a ‘revelation’, while Hall’s humour and Jake Dupree’s performances are also praised. The review concludes that Burlesque provides a feel-good theatrical experience brimming with glitz, humour, and boldness.
The Independent characterises the show as ‘one helluva spectacle’, acknowledging that the plot remains thinner than expected but celebrating the film’s successful camp makeover. Folley’s vocal prowess, Hall’s charisma and wit, and Asha Parker Wallace’s fresh depth as Nikki contribute to a lively, queer-forward romp filled with in-jokes, dazzling routines, and unapologetic energy that resonates strongly with contemporary audiences.
London Theatre Reviews describes Burlesque as ‘completely irresistible’ and ‘a full-throttle spectacle.’ Calling it ‘a must-see show of the summer,’ they praise the production’s self-aware charm, sleek set design, bold choreography, and dynamic lighting. The commanding performances of Jess Folley, Hall’s undeniable charisma, and the ensemble’s polished look combine to deliver a visually sumptuous and cheerfully flamboyant evening that leaves audiences thoroughly entertained.
In sum, Burlesque: The Musical at the Savoy Theatre has cemented itself as a vibrant, exuberant addition to London’s theatre scene. Its mix of spectacular visuals, commanding performances, and infectious energy continue to draw crowds, promising a memorable summer show that’s as daring as it is delightful.
